Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Monday, April 27, 2009

Search term: "Jughead's hat"

The other night, while attending a small dinner party, the conversation turned suddenly to the subject of Jughead's trademark; his goofy, crown-like hat.

I was surprised to discover that I hadn't brought it up, given my Archie obsession (that I wasn't aware I had until relatively recently).

"Well no, I don't think it's meant to be a crown..."

"Like one of those paper ones, that comes from inside an exploding party favor - - ?"

"Um, more like, uh, a kind of beanie - - ? You can see them in old movies, old comics and stuff, so surely people must have actually worn them. I guess they were popular with kids in the 1930s or '40s, during the depression. Homemade from, uh, felt or - - leather, maybe? Encrusted with buttons or bottle caps or other bling. Think of 'The Little Rascals'. Kids shining shoes on street corners, or - - y'know, teen-age delinquents riding around in jalopies."

It was quickly agreed that probably some answers could be found online, probably even pictures of people actually wearing the things, and thus it was easy for the topic of conversation to quickly move elsewhere.

As you know, searching the internet does bring answers, but often not quite definitive, wholly satisfying ones.
- - And don't hold your breath waiting for definitive answers to appear here, either.
Close, maybe, but not quite.

In the case of 'the Jughead hat', certainly there are good pop culture examples of the popularity that style of cap once held with America's youth...




At right: ▶ detail from a 1945 print ad drawn by cartoonist William Steig.
(Via Weird Universe)


Below: ▼ Panel from
All-Star Comics #40 (1948),
The Justice Society of America fights juvenile delinquency in 'The Plight of the Nation!'
(via Comics Make No Sense)



Below: ▼ Cover art to Harvey Comics'
Little Audrey and Melvin #40 (1969).
Melvin might make a good stand-in for Jughead's young cousin, 'Souphead'.
Please note that the decorations on Melvin's hat are fundamentally identical to Jughead's standard doodads.
(click on image to enlarge)







In looking around for the real-world origins of this hat style, some answers presented themselves at Wikipedia's
'Jughead Jones' entry, a few came from the threads of a spirited discussion at The Fedora Lounge, while a great many more came from a 'Comic Book Legends Revealed' entry at
CBR's Comics Should Be Good!
(follow link, and many thanks to Brian Cronin)

Some historic context:
The Comics Should Be Good article reminds us that hats were once more popular in the U.S. than they are today.
At the beginning of the 20th century and for several decades after, with few exceptions all adults wore hats.

This made available a great number of old, worn-out hats for creative re-use, or as hand-me-downs from parents to their children.

Concurrently, many factory workers and laborers of the era wore beanies or skullcaps on the job for safety.

It kept grease and other gunk out of their hair, and kept their hair out of their eyes and out of the way.
A brimless hat was safer too, and didn't obscure one's field of vision.

◀ (1925 factory photo detail via Shorpy. Follow link.)




The standard men's fedora is a soft, felt hat that rose to widespread popularity beginning in the 1920s.

◀ In addition to being soft enough to roll up when not in use, a feature of the felt fedora was that it could be shaped and creased according to the desires of its wearer.

This made the fedora a prime candidate for anyone seeking to repurpose an old hat.



It appears that the first people to wear the original 'Jughead'-styled caps were auto mechanics, welders and other workmen who found they could get the same 'safety' function of a factory worker's beanie by altering an old worn-out fedora.

The 'inversion' method was to turn a fedora upside-down, push the hat's crown inside-out, then turn up the brim and trim away its excess with a scalloped cut.

Presto!
Form meets function elegantly, and
an iconic style is born.

- - And of course, style and elegance came naturally to Goober Pyle of TV's
'The Andy Griffith Show'... ▶

Kids began altering hand-me-down fedoras too, either to emulate their working class dads,
or to look cool (or both), and the fashion statement soon entered the pop-culture consciousness.

A symbol of youthful rebellion? Or worse ??
As far as popular media goes, it seems that before long the depiction of the 'Jughead' beanie could be used to symbolize (depending on the era and the age of the 'youth'), anything from a feisty kid to a badge of 'cool' or toughness, or even to a cliché signifying indolence or social deviancy.

◀ Towards the beginning of his long career of portraying
over-aged delinquents,
Leo Gorcey wore a similar beanie playing opposite James Cagney in the 1938 film, 'Angels with Dirty Faces'.

Moving along into his interminable string of East Side Kids & Bowery Boys movies, Gorcey would soon (literally) lose the beanie and replace it with a larger, more flamboyant hat that better marked him as a leader of men - - or at least, of men who sort of act like boys.




◀ Jumping ahead to 1974, in Charles Bronson's gritty action drama 'Death Wish', Jeff Goldblum wore the Jughead hat in his screen debut as the truly deviant 'Freak #1'.

(See more at He Shot Cyrus)






Our pal Jughead Jones first appeared (along with Archie Andrews and Betty Cooper) in the very first Archie comics story, in
Pep Comics #22, released in December of 1941.



In those early years (when all the characters looked a bit different), Juggy's hat usually was drawn to be a bit more recognizable as the modified fedora / beanie described above.

A cover image from 1946. ▶















As time went on and the model for the characters hit a stylized norm, artists drawing Jughead would increasingly use a sort of 'shorthand' in depicting his hat...


Above: ▲ 1955 and 1959.
At right: 1963. ▶
(click on images to enlarge)

It probably didn't help matters that the real-life model for the hat had fallen further and further out of vogue (or even general knowledge) over the years.

Certainly by now public recognition has declined steeply, as evidenced by dinnertable discussions everywhere;
"So what is up with that freaky hat that Jughead wears?"

Time marched on, the points on Jug's hat got higher, and it became less of what it started as, and more of its own,
unique whatever-the-heck it is.
The echoes of a court-jester's hat are there - - Jughead is the 'wise fool' character for the Riverdale crowd, after all...

Chatter around the web mentions that there have been times in recent history when the creators of Archie comics have tried to get rid of the hat, or 'update' it to today's ubiquitous baseball cap, but the fans still clamor for that 'crown-beanie thing'.

The comic books have at various times also tried to add special bits of trivia about the hat into the mythology, including it being a key to Jughead's 'powers' during the mid-1960s and the Archie gang's odd, bandwagon-jumping nod to the camp 'super-hero craze'.

Below: ▼ Transforming into 'Captain Hero' in 1966, via DIAL B for BLOG. (follow link)

Hmm, you don't see too many costumed heroes with hats. Masks, sure. Helmets, maybe...

Oh, so speaking of trivia - -
In wading through info on the web, I reserve the right to pick and choose what I believe
(and so should you).

- One bit of info about Jug's cap that I don't quite buy is the 'fact' that the dot and dash that became his standard decorations are meant to represent the morse code character for 'A', and the 'A' is for 'Archie'.
Yes, 'dot-dash' is 'A', and it may be another 'shorthand' instance as a handy insider guide to anyone hired to draw Archie comics, but I personally don't believe that a morse code 'A' was Jughead's intent, is all I'm saying.

- Another factoid that doesn't fly with me is from that original
Comics Should Be Good article. In summing up, it's mentioned that the term 'Jaghead' was once used for people who wore these "jagged beanies", and that may have been how Jughead first got his name when the character was created. It makes a pretty good story, but no, sorry, please show me I'm wrong, but it just doesn't sit right with me.

Further Confusions:
Complications over fully understanding the mysteries of the Jughead hat in our modern age come not only from the passage of time, but from the style of hat lacking a definitive name, and as a consequence of it being mass produced after its original handmade introduction to the world of style.

It was likely sometime in the 1930s when the original home-grown caps had caught on to the point that tailored versions for kids began to be manufactured and sold, billed as 'button beanies' or other such names.



◀ Whoopee hats (or Whoopee caps) shared the same basic configuration. They were part of a fad that appears to have peaked around 1929, mostly on college campuses.

They popped up in several popular songs of the day, including 'The Whoopee Hat Brigade', which was recorded by many different bands.

- You can hear a version from an old 78 by Harry Reser's Six Jumping Jacks and learn a bit more at Zorch's Inner Sanctum. (follow link)

Searching around today, you'll see variations on the basic shape being called palookaville caps,
devils caps, clubhouse hats, Kingpins, etc.
Like the Whoopee hat, many of them seem to share the characteristic of being garishly multi-colored, a quality they don't share with Jughead's hat - - which I'll venture was originally intended as the homemade fedora modification we've learned about, and not store-bought, because:

a) We know that Jughead seldom has any money, and
b) When he does, he's more likely to spend it on food than clothes.

The Jughead-styled cap is sometimes also identified as a dink or a rat cap, which are more typically identified as being related to the old tradition of the 'freshman beanie', a once-popular form of mild hazing on some college campuses that goes back at least as far as the beginning of the 20th century.

Running the search term "jughead's hat" (or other variations) and looking around online for some modern-day examples yields interesting results.

You'll see all manner of multi-colored, blinged-out versions, 'revivals' and lots of knitted caps that approximate the shape.

You'll also see a variety of custom jobs that range from high-quality couture that seems miles away from the 'Riverdale' look, to inspired home-craft projects from folks earnestly trying to bring themselves closer to their hero, Jughead.

Any insights you can share or pop media examples of the Jughead-styled hat down through the ages are most welcome. Leave a comment, drop a line...

UPDATE, 5.1.09: The sudden flurry of traffic this post has received has been fun to witness.
Check the comments here and the long discussion at MetaFilter for lots of interesting insights, observations and memories.
Great to read so many stories of people who wore these hats 'back in the day', either the hand-made versions or the store-bought variants.
Good to be reminded of Encyclopedia Brown's nemesis, Bugs Meany, who sported one - -
- - And cool to be shown the assorted Kellogg's Pep Pins that adorned many of the button beanies.

ADDENDUM, 6.9.09: Comments and e-mails continue to arrive, citing further instances of the hat in pop culture history.

Received a nice message from Alex Boese of
The Museum of Hoaxes.
He was kind enough to send along the image of a Sunday newspaper page from the Big Spring Daily Herald, dated October 9th, 1938. ▶

It contains an example of cartoonist H. T. Webster's cartoon series 'The Thrill That Comes Once In A Lifetime' (sometimes titled simply, 'The Thrill Of A Lifetime').

The panel shows a fedora conversion in action (though the result is a 'brim down' variant).

Thanks Alex!

A few more vintage H.T. Webster panels can be seen at
Yesterday's Papers.






6.23.09: Received a comment from Bob of Bob + Dusty's
Whirl-A-Go-Go
that includes a link to his Flickr page featuring this old Russell Sambrook illustration.

Thanks Bob!






6.26.09: Meanwhile, following up on the comment he left,
Owen has sent along his photos of the real deal, the hat he wore as a kid in the early 1950s, still in his possession, with some of the original doodads still attached!

(click on images to ENLARGE and get a good look) ▶

Owen adds some context - - "...as I wrote in the comments: born in '47, and this baby was a big part of my early childhood. My mother taught me how to sew the gumball-machine charms on it. This would have been until I was about 10, but obviously it has remained an icon and treasured.

"It looks as though some of the things have fallen off, and it also looks to me, now, as if some of those charms I sewed onto it are REALLY weird. What's with the Sacajewia-with-baby one? Or the flaky-foont-esque guy in the bathtub?

"I think the wooden bowling balls and bronzed baby shoes came with it."

Thanks for sharing, Owen! You must be the coolest kid on your block!

Tuesday, April 14, 2009

Howard Duff: Tough? (1948 magazine spread)

When the article below ran in the May, 1948 issue of Radio and TV Mirror magazine, actor Howard Duff (1913 - 1990) had been portraying detective Sam Spade in a weekly radio series for a couple of years.

(click on image to enlarge in a new window)

His popularity in that role would propel him further into a long career in films and TV in the 1950s and beyond.



Click here to enlarge page one of this article and read the text.

Follow links to continue reading the article in a new window:
- Part 2
- Part 3

'The Adventures of Sam Spade' premiered on radio in june of 1946, airing on Friday nights on the ABC network.

The hard-boiled detective's creator, mystery author Dashiell Hammett was marginally involved in the radio production, at least at the beginning.

With the relatively unknown Duff in the lead role, the series quickly caught on, and soon moved to a more prominent spot on Sunday evenings, now airing on CBS. It shifted networks again in 1949, moving over to NBC.

In 1950, both Howard Duff and Dashiell Hammett found their names appearing in 'Red Channels', the Hollywood Blacklisting-era pamphlet that listed entertainment industry professionals with supposed Communist ties.

Howard Duff was soon able to clear his name, but not before the Sam Spade show was brought to a sudden demise. The series would be revived for a final season, but without Howard Duff, and minus Dashiel Hammett's name.
This left Duff free to pursue more movie work, which led to several kick-ass film noir roles in the '50s, among other performances.

Following his "tempestuous" late 1940s relationship with actress Ava Gardner (between her marriages to Artie Shaw and Frank Sinatra, and somewhere amidst her relationship with Howard Hughes) Duff married actress/filmmaker Ida Lupino in 1951.


Episodes of 'The Adventures of Sam Spade' featuring Howard Duff can be heard online at a couple of 'Old Time Radio' locations:

-The Internet Archive has a couple of good stashes of episodes.

- The OTR.Network has a nice selection too, using Real Player and featuring sound quality that is perhaps a bit more consistent.

Saturday, January 31, 2009

They don't make double-features like this anymore. (film print ads, 1971)

(click on images to enlarge in a new window)

When these advertisements appeared in the UK in the March, 1971 issue of Films and Filming magazine, only the British-made 'The House That Dripped Blood' was making its premiere.

'Beyond the Valley of the Dolls' and 'Myra Breckinridge' and 'The Honeymoon Killers' had each had their distinctive initial runs in the U.S. almost a year prior.

Thursday, January 15, 2009

This week's Double Bummer; Ricardo's gone, McGoohan too.















It's sad to have lost two charismatic fan-favorite actors this week.

It's sad and it's a shame that it's been their fate to have news of their passings lumped together more often than not, but that seems to be the way these things always go.

You can also be pretty sure that the headline in each of their obituaries will more often than not attempt to 'sum up' a long career with a catch-phrase or reference to just one of many roles they played in long and varied careers. Another shame.

The good news is that both of these actors leave behind ample evidence of a body of work that we all can enjoy for years to come. There's still much to revisit and to discover.

Thank you gentlemen, each of you, for a job well done.



















Ricardo Montalbán, 1920 - 2009.

- An obituary. (follow links)



















































- Ricardo sings!
Click over to YouTube for a 'tribute' video that includes Mr. Montalbán performing
'Chihuahua Choo Choo' as its soundtrack.

Originally the song had been featured in a 1955 stage revue, 'That's Life'.
It was written by the Oscar-winning songwriting team of composer Jay Livingston and
lyricist Ray Evans
, whose credits included 'Mona Lisa', 'Buttons And Bows', 'Silver Bells', 'Whatever Will Be, Will Be (Que Sera, Sera)', and others.
Ricardo's recording first appeared on a 1957 LP, 'Premiere: The Top Motion Picture Stars of Hollywood Make Their Record Debut', arranged by Bob Thompson.



















Patrick McGoohan, 1928 - 2009.

- An obituary (follow links)































- Follow link to YouTube for a film trailer to the 1962 drama 'All Night Long', an 'Othello' update featuring
Patrick McGoohan as a scheming
Jazz drummer...

Thursday, December 25, 2008

Let's remember Eartha Kitt (1927 - 2008)

Today's news of Eartha Kitt's passing has helped to put a bit of a damper on this Christmas, except that it gives an opportunity to look over a few highlights of the career of this charismatic singer/actress.

Thanks Ms. Kitt, for all that you gave us.

She was 81, and remained busy through most of her long career.

Her final performance was just last month, and according to an obituary in The Independent, that Chicago appearance was taped for a PBS special about Kitt's career that is scheduled to air this upcoming Februrary.





Reading obituaries and online bios and her Wikipedia entry will give you a general overview of
Eartha Kitt's life, so what I've rounded up here are just a few additional links and images that are worth noting...


(Click on images to ENLARGE in a new window)

Lots of Eartha's music can be heard at Last.fm, including most if not all the tracks from the albums 'Miss Kitt to You', and '...in Person at the Plaza, and 'The Best of Eartha Kitt. (Follow links)

Likewise, a wealth of Eartha Kitt video clips are available at YouTube:
- Performing 'My Heart Belongs To Daddy', one of several excerpts from a 1957 live TV appearance on Nat King Cole's show.

- Film excerpts of Eartha and co-star
Sammy Davis, Jr. in the movie trailer and 'mambo fantasy' sequence from 1959's
'Anna Lucasta'
.

- An odd bit of British newsreel footage from 1960; 'Eartha Kitt Keeps Fit'- - A work-out in preparation for 'Talk Of The Town', her successful London stage revue that year.




Below ▼, from Swedish television in 1962, reprising 'I Want To Be Evil', one of her biggest mid-1950's hit songs.



Like the several other 1962 clips from Sweden's 'Kaskad' program, any disconcerting elements via the in-studio lip-synching are more than made up for by creative camera angles and Ms. Kitt's stage presence.

- An infamous bit of controversy surrounded Eartha Kitt in
January, 1968 when she was one of many women invited to the White House by Lady Bird Johnson to discuss the problems of juvenile delinquency in America.

Kitt caused a stir when she spoke up and declared that American youth was rebelling against the war in Vietnam.

It was the first time that anyone had spoken out against the war at a White House function.

It upset the First Lady, and brought Eartha Kitt lots of bad press and the wrath of LBJ.

She was effectively blacklisted in the US for several years, during which time she performed abroad.

There's a good accounting of the events in a posting at the blog Undercover Black Man.
(Follow link)







Below ▼, a 1970 TV performance of 'Let's Do It'...



More video...
- A 1981 TV interview with concert footage.

- A more recent cable TV interview on the Skip E. Lowe Show, and performing
'Here's To Life' in 1992 on 'The Whoopi Goldberg Show'.

...and two text pieces:
- A 2001 interview with OutSmart magazine, and 'Still in the Limelight, on Her Own Terms', a 2006 interview from The New York Times.

Below ▼, as a club diva in 1986. The video for 'This Is My Life' includes several pieces of vintage footage from earlier in Eartha's career...



Freshly-stirred links