Showing posts with label City Slickers. Show all posts
Showing posts with label City Slickers. Show all posts

Sunday, March 30, 2008

'Davey Crackpot' (Spike Jones) with George Rock & Billy Barty - Cherry Pink And Apple Blossom White b/w No Boom-Boom in Yucca Flats (1955)

Here's a curious little novelty record; It's Spike Jones and his band performing under a pseudonym.

The theory is that the 'Davey Crackpot' name (employed at the height of the mania for Disney's 'Davy Crockett' TV shows) was used for this release on the Starlite record label because Jones was still under contract to RCA records at the time.

The instrumental A-side of this 1955 single pokes fun at
Pérez Prado's cha-cha tune that was #1 on the U.S. pop charts that year.

(On a brief tangent, I'm compelled to confess that I smile whenever I hear Prado's name pronounced 'Per-ez Per-ado'. It's a little thing, but it always gets me.)

Band member George Rock would on occasion be called upon to sing in a distinctive high-pitched toddler's voice for numbers like 'All I Want For Christmas Is My Two Front Teeth', but it was his skills with a trumpet that made him an invaluable asset.

Rock played trumpet with the Spike Jones band from 1944 - 1960. He was a virtuoso player who could hit the wrong notes just right and milk his horn for sounds that many others could never achieve.

One of his long-standing showcases in the Jones stage revues was on the tune 'Minka'. If you've never heard the 1949 recording of it, well - - you simply must.

George Rock (left) on stage with
Spike Jones in 1946 ▶



Listen to:
Davey Crackpot & The Mexican
Jumping Beans
featuring
George Rock -
Cherry Pink And Apple Blossom White

Starlite Records 45, 1955
(click for audio)

















Billy Barty was a recent inductee to Spike's gang when the B-side of this 45 was recorded.

As the Vaudevillesque Jones stage revue began to make the transition to television (and later back to stage), Barty was brought in to add to the comedic proceedings.
















(click on images to ENLARGE in a new window)▶


In what would be eight years performing with Spike, Barty immediately became best known for his impression of a diminutive Liberace.

His latin-accented vocals on this track refer to
above-ground nuclear tests that were conducted during that era at the
Nevada Proving Ground.

The sight of the mushroom clouds had become a tourist attraction in Las Vegas, roughly 65 miles to the southwest.


Listen to:
Davey Crackpot & The Mexican Jumping Beans
featuring
Billy Barty -
No Boom-Boom in Yucca Flats

Starlite Records 45, 1955
(click for audio)

Saturday, September 1, 2007

78s fRom HeLL: Three by Red Ingle, as featured vocalist with the Ted Weems Orchestra, 1936 - 1939

Versatile musician, singer, writer, arranger, cartoonist and humorist Red Ingle performed with
Ted Weems' orchestra from 1931 until the band went on 'hiatus' after the outbreak of WWII.

Born in Toledo, Ohio,
Ingle (1906 - 1965) had begun performing professionally by age 15. By his late teens he was playing saxophone with the
Jean Goldkette Orchestra, in the band along with Bix Beiderbecke and Frankie Trumbauer.

During his stint with Ted Weems, in addition to his instrumental duties he was the band's comedian, featured in many of their 'novelty' numbers.

A young Perry Como joined the Weems band as a boy vocalist in 1936.
He later would recall Red Ingle as one of the most talented men he'd ever met.

After the Weems orchestra disbanded, Ingle sought war work, but was eventually discharged from military service after failing an
Air Force eye exam.

In 1943 he joined Spike Jones and his City Slickers, which is perhaps the career credit for which Ingle is best remembered. His musical versatility, comic timing and creative spark served him well there, along with his aptitude for funny voices and sound effects.

Red Ingle left Spike's employ in November of 1946, following a salary dispute.
(Not an uncommon departure for various City Slickers).
By the Spring of 1947 Ingle had formed his new band, soon to be performing as 'The Natural Seven' and recording almost exclusively for then-fledgling record label Capitol Records.

Those Capitol recordings from '47 - '51 are brilliant.
Stunning musicianship paired with wry cornball humor.
You can find them all on a perfect and HIGHLY recommended Red Ingle CD released on the Bear Family label.

Ingle's performances here on these few earlier, well-loved old Ted Weems 78s don't match the manic inventiveness on display during his solo years or his recordings with Spike Jones - - or at least the intensity is only turned up to about a '6', instead of the amped-out '11' he'd reach in later years.

Having fallen in love with the man's skills from his heyday, I can't fault him for those years he was still figuratively 'on the leash'.

See also: Red Ingle bio page at AllMusic (click for link)

Listen to:
Ted Weems and his Orchestra, vocal by Red Ingle -
Jelly Bean (He's A Curbstone Cutie)

(Decca Records 78,
recorded 5-15-1936, Chicago, Illinois)

(click for audio)









Listen to:
Ted Weems and his Orchestra, vocal by Red Ingle -
When A Lady Meets A Gentleman Down South

(Decca Records 78,
recorded 8-6-1936, Chicago, Illinois)

(click for audio)












Listen to:
Ted Weems and his Orchestra, vocal by Red Ingle and
Marvel Maxwell -
Monstro The Whale

(Decca Records 78,
recorded 10-4-1939, NYC)

(click for audio)








Also see also:
Here's a link to a YouTube clip with Ingle as vocalist on 'Glow Worm' with Spike Jones and His City Slickers in 1946, and...

(8.22.08) It was recently brought to my attention that two previously posted Red Ingle video clips were no longer functional.

A fresh gander at YouTube reveals that several different Ingle clips have been added in their place. Here's hoping they stick around a while!

The first clip (below) ⬇ features Red and his band from around 1948, performing
'Cigareets and Whusky and Wild, Wild Women'



- Another, ⬇ from 1949, it's '(I Love You For) Seventy Mental Reasons', featuring vocalist
Karen Tedder.



- Finally, ⬇ jumping ahead to 1960, Red fiddles with guest vocalist Jo 'Cinderella G. Stump' Stafford
on 'Tim-Tay'Shun', reprising their hit recording from '47.



The videos above are available at YouTube via the good graces of Pappy Stuckey.
He's rebuilt a whole channel there of fine material for seriously enjoyable viewing.

You can see more - - including more Red Ingle - - by checking out his treasures at: pappyredux

- See also:
Good news! One of twindowlicker's recent Choosday Choons posts features a MASSIVE trove of archived Red Ingle 78s, including lots of the Capitol sides, the early Ted Weems stuff, some of the Spike Jones tracks and more!

Click over to: Choosday Choons: The Capitol Cut-ups, part 4: Red Ingle!!
at Pet's playin' her old platters, come on in!

Freshly-stirred links