Robert Williams: Peripheral Bogies, 'Mr. Bitchin'', and a quickie lowbrow thumbnail sketch.
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| 'Peripheral Bogies', acrylic on watercolor paper, 1975 (color) |
(from wikipedia)
Time for a little Show & Tell, 'cuz all that neat stuff is no fun if you keep it to yourself.
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| 'Peripheral Bogies', acrylic on watercolor paper, 1975 (color) |
Boy howdy, short of having someone explain why a joke is funny, there's nothing more entertaining than heavily dated old magazine cartoons in need of contextual footnotes...
Fortunately (or hopefully), the esoteric charm of this batch of panels may transcend their bygone topicality.
Cartoonist Alan Dunn (1900 – 1974) may still hold the record as the New Yorker's most prolific illustrator, responsible for 1906 cartoons and 9 covers during his tenure there, from 1926 - 1973.
Capitalizing on his background in design, Dunn also contributed many cartoons to Architectural Record, beginning in 1936.
A collection of those cartoons, 'The Last Lath' was first published in 1947.
In addition to lampooning the modern design trends and technologies of the 1930s and '40s, much of the humor centers around the terminology used by contractors and architects of the day, as well as realities like WWII-era material shortages and the post-war
housing boom.
- - Oh, and they're cool, too.
Probably there are very similar gag cartoons around today, just with more up-to-date buzzwords...
For a bit more about Alan Dunn, see also:
- A brief bio about Dunn and his wife, fellow New Yorker cartoonist, Mary Petty.
- Other Alan Dunn book covers displayed at Christopher Wheeler's Cartoon(ist) Gallery.
(click on images to enlarge in a new window)



















The other night, while attending a small dinner party, the conversation turned suddenly to the subject of Jughead's trademark; his goofy, crown-like hat.
I was surprised to discover that I hadn't brought it up, given my Archie obsession (that I wasn't aware I had until relatively recently).
"Well no, I don't think it's meant to be a crown..."
"Like one of those paper ones, that comes from inside an exploding party favor - - ?"
"Um, more like, uh, a kind of beanie - - ? You can see them in old movies, old comics and stuff, so surely people must have actually worn them. I guess they were popular with kids in the 1930s or '40s, during the depression. Homemade from, uh, felt or - - leather, maybe? Encrusted with buttons or bottle caps or other bling. Think of 'The Little Rascals'. Kids shining shoes on street corners, or - - y'know, teen-age delinquents riding around in jalopies."
It was quickly agreed that probably some answers could be found online, probably even pictures of people actually wearing the things, and thus it was easy for the topic of conversation to quickly move elsewhere.
As you know, searching the internet does bring answers, but often not quite definitive, wholly satisfying ones.
- - And don't hold your breath waiting for definitive answers to appear here, either.
Close, maybe, but not quite.
In the case of 'the Jughead hat', certainly there are good pop culture examples of the popularity that style of cap once held with America's youth...
At right: ▶ detail from a 1945 print ad drawn by cartoonist William Steig.
(Via Weird Universe)
Below: ▼ Panel from
All-Star Comics #40 (1948),
The Justice Society of America fights juvenile delinquency in 'The Plight of the Nation!'
(via Comics Make No Sense)
Below: ▼ Cover art to Harvey Comics'
Little Audrey and Melvin #40 (1969).
Melvin might make a good stand-in for Jughead's young cousin, 'Souphead'.
Please note that the decorations on Melvin's hat are fundamentally identical to Jughead's standard doodads.
(click on image to enlarge)
In looking around for the real-world origins of this hat style, some answers presented themselves at Wikipedia's
'Jughead Jones' entry, a few came from the threads of a spirited discussion at The Fedora Lounge, while a great many more came from a 'Comic Book Legends Revealed' entry at
CBR's Comics Should Be Good!
(follow link, and many thanks to Brian Cronin)
Some historic context:
The Comics Should Be Good article reminds us that hats were once more popular in the U.S. than they are today.
At the beginning of the 20th century and for several decades after, with few exceptions all adults wore hats.
This made available a great number of old, worn-out hats for creative re-use, or as hand-me-downs from parents to their children.
Concurrently, many factory workers and laborers of the era wore beanies or skullcaps on the job for safety.
It kept grease and other gunk out of their hair, and kept their hair out of their eyes and out of the way.
A brimless hat was safer too, and didn't obscure one's field of vision.
◀ (1925 factory photo detail via Shorpy. Follow link.)
The standard men's fedora is a soft, felt hat that rose to widespread popularity beginning in the 1920s.
◀ In addition to being soft enough to roll up when not in use, a feature of the felt fedora was that it could be shaped and creased according to the desires of its wearer.
This made the fedora a prime candidate for anyone seeking to repurpose an old hat.
It appears that the first people to wear the original 'Jughead'-styled caps were auto mechanics, welders and other workmen who found they could get the same 'safety' function of a factory worker's beanie by altering an old worn-out fedora.
The 'inversion' method was to turn a fedora upside-down, push the hat's crown inside-out, then turn up the brim and trim away its excess with a scalloped cut.
Presto!
Form meets function elegantly, and
an iconic style is born.
- - And of course, style and elegance came naturally to Goober Pyle of TV's
'The Andy Griffith Show'... ▶
Kids began altering hand-me-down fedoras too, either to emulate their working class dads,
or to look cool (or both), and the fashion statement soon entered the pop-culture consciousness.
A symbol of youthful rebellion? Or worse ??
As far as popular media goes, it seems that before long the depiction of the 'Jughead' beanie could be used to symbolize (depending on the era and the age of the 'youth'), anything from a feisty kid to a badge of 'cool' or toughness, or even to a cliché signifying indolence or social deviancy.
◀ Towards the beginning of his long career of portraying
over-aged delinquents,
Leo Gorcey wore a similar beanie playing opposite James Cagney in the 1938 film, 'Angels with Dirty Faces'.
Moving along into his interminable string of East Side Kids & Bowery Boys movies, Gorcey would soon (literally) lose the beanie and replace it with a larger, more flamboyant hat that better marked him as a leader of men - - or at least, of men who sort of act like boys.
◀ Jumping ahead to 1974, in Charles Bronson's gritty action drama 'Death Wish', Jeff Goldblum wore the Jughead hat in his screen debut as the truly deviant 'Freak #1'.
(See more at He Shot Cyrus)
Our pal Jughead Jones first appeared (along with Archie Andrews and Betty Cooper) in the very first Archie comics story, in
Pep Comics #22, released in December of 1941.
In those early years (when all the characters looked a bit different), Juggy's hat usually was drawn to be a bit more recognizable as the modified fedora / beanie described above.
A cover image from 1946. ▶
As time went on and the model for the characters hit a stylized norm, artists drawing Jughead would increasingly use a sort of 'shorthand' in depicting his hat...


Above: ▲ 1955 and 1959.
At right: 1963. ▶
(click on images to enlarge)
It probably didn't help matters that the real-life model for the hat had fallen further and further out of vogue (or even general knowledge) over the years.
Certainly by now public recognition has declined steeply, as evidenced by dinnertable discussions everywhere;
"So what is up with that freaky hat that Jughead wears?"
Time marched on, the points on Jug's hat got higher, and it became less of what it started as, and more of its own,
unique whatever-the-heck it is.
The echoes of a court-jester's hat are there - - Jughead is the 'wise fool' character for the Riverdale crowd, after all...
Chatter around the web mentions that there have been times in recent history when the creators of Archie comics have tried to get rid of the hat, or 'update' it to today's ubiquitous baseball cap, but the fans still clamor for that 'crown-beanie thing'.
The comic books have at various times also tried to add special bits of trivia about the hat into the mythology, including it being a key to Jughead's 'powers' during the mid-1960s and the Archie gang's odd, bandwagon-jumping nod to the camp 'super-hero craze'.
Below: ▼ Transforming into 'Captain Hero' in 1966, via DIAL B for BLOG. (follow link)
Hmm, you don't see too many costumed heroes with hats. Masks, sure. Helmets, maybe...
Oh, so speaking of trivia - -
In wading through info on the web, I reserve the right to pick and choose what I believe
(and so should you).
- One bit of info about Jug's cap that I don't quite buy is the 'fact' that the dot and dash that became his standard decorations are meant to represent the morse code character for 'A', and the 'A' is for 'Archie'.
Yes, 'dot-dash' is 'A', and it may be another 'shorthand' instance as a handy insider guide to anyone hired to draw Archie comics, but I personally don't believe that a morse code 'A' was Jughead's intent, is all I'm saying.
- Another factoid that doesn't fly with me is from that original
Comics Should Be Good article. In summing up, it's mentioned that the term 'Jaghead' was once used for people who wore these "jagged beanies", and that may have been how Jughead first got his name when the character was created. It makes a pretty good story, but no, sorry, please show me I'm wrong, but it just doesn't sit right with me.
Further Confusions:
Complications over fully understanding the mysteries of the Jughead hat in our modern age come not only from the passage of time, but from the style of hat lacking a definitive name, and as a consequence of it being mass produced after its original handmade introduction to the world of style.
It was likely sometime in the 1930s when the original home-grown caps had caught on to the point that tailored versions for kids began to be manufactured and sold, billed as 'button beanies' or other such names. 
◀ Whoopee hats (or Whoopee caps) shared the same basic configuration. They were part of a fad that appears to have peaked around 1929, mostly on college campuses.
They popped up in several popular songs of the day, including 'The Whoopee Hat Brigade', which was recorded by many different bands.
- You can hear a version from an old 78 by Harry Reser's Six Jumping Jacks and learn a bit more at Zorch's Inner Sanctum. (follow link)
Searching around today, you'll see variations on the basic shape being called palookaville caps,
devils caps, clubhouse hats, Kingpins, etc.
Like the Whoopee hat, many of them seem to share the characteristic of being garishly multi-colored, a quality they don't share with Jughead's hat - - which I'll venture was originally intended as the homemade fedora modification we've learned about, and not store-bought, because:
a) We know that Jughead seldom has any money, and
b) When he does, he's more likely to spend it on food than clothes.
The Jughead-styled cap is sometimes also identified as a dink or a rat cap, which are more typically identified as being related to the old tradition of the 'freshman beanie', a once-popular form of mild hazing on some college campuses that goes back at least as far as the beginning of the 20th century.
Running the search term "jughead's hat" (or other variations) and looking around online for some modern-day examples yields interesting results.
You'll see all manner of multi-colored, blinged-out versions, 'revivals' and lots of knitted caps that approximate the shape.
You'll also see a variety of custom jobs that range from high-quality couture that seems miles away from the 'Riverdale' look, to inspired home-craft projects from folks earnestly trying to bring themselves closer to their hero, Jughead.
Any insights you can share or pop media examples of the Jughead-styled hat down through the ages are most welcome. Leave a comment, drop a line...
UPDATE, 5.1.09: The sudden flurry of traffic this post has received has been fun to witness.
Check the comments here and the long discussion at MetaFilter for lots of interesting insights, observations and memories.
Great to read so many stories of people who wore these hats 'back in the day', either the hand-made versions or the store-bought variants.
Good to be reminded of Encyclopedia Brown's nemesis, Bugs Meany, who sported one - -
- - And cool to be shown the assorted Kellogg's Pep Pins that adorned many of the button beanies.
ADDENDUM, 6.9.09: Comments and e-mails continue to arrive, citing further instances of the hat in pop culture history.
Received a nice message from Alex Boese of
The Museum of Hoaxes.
He was kind enough to send along the image of a Sunday newspaper page from the Big Spring Daily Herald, dated October 9th, 1938. ▶
It contains an example of cartoonist H. T. Webster's cartoon series 'The Thrill That Comes Once In A Lifetime' (sometimes titled simply, 'The Thrill Of A Lifetime').
The panel shows a fedora conversion in action (though the result is a 'brim down' variant).
Thanks Alex!
A few more vintage H.T. Webster panels can be seen at
Yesterday's Papers.
6.23.09: Received a comment from Bob of Bob + Dusty's
Whirl-A-Go-Go that includes a link to his Flickr page featuring this old Russell Sambrook illustration.
◀
Thanks Bob!


6.26.09: Meanwhile, following up on the comment he left,
Owen has sent along his photos of the real deal, the hat he wore as a kid in the early 1950s, still in his possession, with some of the original doodads still attached!
(click on images to ENLARGE and get a good look) ▶
Owen adds some context - - "...as I wrote in the comments: born in '47, and this baby was a big part of my early childhood. My mother taught me how to sew the gumball-machine charms on it. This would have been until I was about 10, but obviously it has remained an icon and treasured.
"It looks as though some of the things have fallen off, and it also looks to me, now, as if some of those charms I sewed onto it are REALLY weird. What's with the Sacajewia-with-baby one? Or the flaky-foont-esque guy in the bathtub?
"I think the wooden bowling balls and bronzed baby shoes came with it."
Thanks for sharing, Owen! You must be the coolest kid on your block!
Posted by
The In Crowd
on or around
4/27/2009
80
comments
Labels: comics, cultural artifacts, fashion, movies
The Shinola debate continues:
A subtle distinction at times. How often do we really know the difference?
► In Search of Jughead's Hat► Muppet-less projects of young Jim Henson
► Adventures in language instruction with Professor Berlitz
► The Art of Lansing Campbell and the Perilous World of Uncle Wiggily
► Dr. Wertham's 'What Parents Don't Know About Comic Books' (1953)
► Nicolas Bentley's illustrations
► Bill Cosby's 'Disco Bill' (1977)
► 1973 fashion meets TV detectives
► Edward Stoddard's 'How To Remember Names and Faces' (1958)
► Clutch Cargo Comics
► 1950's French version of 'Istanbul (Not Constantinople)'
► The Pee Wee Herman Stage Show Original Cast Recording (1981)
► Be-Bop 'Hawaiian War Chant' by Dave Lambert
► Laxative tantrums, Castoria and you, circa 1941
► Bill Dorsey's 'Suck A Sour Lemon' b/w 'But Not Today'
► In Praise of character actor Michael J. Pollard
► A Mechanical Elephant for Peter Sellers
► Charles Folkard's 'Alice In Wonderland' illustrations, 1921
► Rev. Carey Landry - 'The Giant Love Ball Song' (1973)
► Sooper Hippie, Fruitman and 1960's Harvey Comics
► Miyoshi Umeki sings
► Wayne Newton LIVE '74 Intro: Live and Let Die/Hard To Handle
► Les Baxter 'Ritual of the Savage' photo-spread, 1951
► Clyde Crashcup Comics by John Stanley
► Cool 'Beatsploitation' in
John Stanley's 'Kookie' comics
► 1923 U.C. Berkeley Yearbook advertisements
► '60's lounge Dylan cover - Shawn Elliot's 'Just Like Tom Thumb's Blues'
► The Singing Nun: A Sad Saga
► Max Kaminsky and his Windy City Six - Chicago '54 Trad Jazz
► Rock N' Roll 'Collage Drawings' by Opal Nations
► The Soulful Strings - 'Paint It Black' and a few others (1966)
► Cookbook illustrations by
Lou Peters (1955)
► Ted Randal's 'What Is A Disc Jockey?' (1957)
► Larry Hankin tells stories of Sometimes Jones
► Dave Dudley's 'Lonelyville'
► Yuk Yuk Clown vs. Big Loo: Pure Evil?
► A Frightening Feminine Hygiene ad, 1948
► The earlier artwork of MAD Magazine's Don Martin
► Swingin' Calypsos by Lord Flea and his Calypsonians (1957)
► Memories of Gus Somera and the Old-School Yo-Yo
► Vinyl Archaelogy Diary
► A Small Ruth Buzzi Shrine
► Sammy Davis Jr. - 'It's a Happening World'
► Aping Marvel Comics in 1966: Presenting the amazing 'Too Many Super Heroes'
► Love for a Lava Lamp, and the box it came in, too
► Christopher Guest's 'Art Rock Suite' music parody (1975)
► Bob Elliott reading
Robert Benchley's 'The Social Life of the Newt'
► Do You Know What I'm Going To Do Next Saturday?
► A Bonzo Dog runs solo: Roger Ruskin Spear's 'Unusual' LP (1973)
► Louis Jordan in the 1960's
► Zorro Five's 'Reggae Shhh!' b/w 'Reggae Meadowlands' (1970)
► The Big Three's 'Banjo Song' and it's apparent influence on Shocking Blue's 'Venus'
► Willie Mays, spokesmodel
► The Cosmoboy Jacket and the Goat Coat: Pierre Cardin in 1967
► Stan Cornyn: King of the 1960's LP Liner Notes
► Ebony Magazine Fashion Ads from the 1970's
► A few hot Blues tracks by George 'Wild Child' Butler
► Jackie Vernon - A Man And His Watermelon
► Joe Biviano - N.B.C. Polka (1949)
► One-stop hooodoos & mojos: The King Novelty Curio Catalog
► Godfrey Cambridge Comics, with artwork by Mort Drucker and Neal Adams (1967)
► Gerty Molzen covered 'Walk On The Wild Side' at age 79.
► Raymond Scott Quintet: The Girl With The Light Blue Hair
► Bulawayo Sweet Rhythms Band: 'In The Mood' b/w 'Skokiaan' (1954)
► Cecil Young Progressive Quartet: Who Parked The Car
► '5000 Fingers of Dr. T'; the 1953 Technicolor Dr. Seuss musical
► 'Come On-A My House': The original by William Saroyan & Ross Bagdasarian (1951)
► Devo's E-Z Listening Muzak Cassettes from the 1980s
► 1967's 'Smashing Time'
starring Rita Tushingham and Lynn Redgrave
► Stan Freberg and the Mystery of Ronald Long
► Arnold Roth's 'Pick A Peck Of Puzzles'
► Tenggren's 'Tell-It-Again' Fairy-Tale Illustrations, 1942
► Vaughn DeLeath - Banana Oil (1925)
► Eddie Lawrence: The Visitor
► José Feliciano in 1966:
'A Bag Full of Soul'
► Meet Herbie Popnecker, the fat little nothing
► 'Sin In Satin' - Polly Possum and Joe Wolverton (1952)
► Two from Tony Bruno
► Wham! and the hazards of auto-reverse cassettes
► 'Love Is Lainie' and the Kazan/Kirby Connection
► Tex Williams' reversal: 'Smoke! Smoke! Smoke! '68'
► 1930's vocals by Red Ingle
► Hans Conried in screenshots from 1953's 'The Twonky'
► Nostalgia for the Scholastic Book Club of the '60s & '70s
► Al 'Jazzbo' Collins - 'Grimm Fairy Tales For Hip Kids' (1953)
► The Lois Lane debate, and
a Noel Neill Appreciation
► Chris Elliott fashion spread
► Yvonne Craig '68 pictorial: 'Batgirl - Too Torrid For Tots!'
► Nick Apollo's 'Can I Depend On You' LP
► 1960's Archie comics as a mirror to fashion & fads
► Quartette Trés Bien -
Voo Doo Man
► Discovering India's Tinkle Comics (1985)
► Willard Cele's
'Penny Whistle Blues' (1951)
► Zero Mostel's Face, Zero Mostel's Life
► 'United Mutations': Frank Zappa's fan club comic book ad (1967)
► The Orchids of Hawaii Bartenders' Guide