I recall first seeing his comics in the pages of 'Weirdo' back in the '80s, and then in' Crap' and other titles in the '90s, but it seems like it's been a little while since running across his name.
◀ This full-page ad could have looked just a little out of place when it first ran in mainstream American comic books towards the end of 1967.
(UPDATE, 1.13.09: It's been verified that the ad's design was indeed by Cal Schenkel, longtime Zappa visualist. More info below.)
'Pop-Art' and psychedelia may have begun to make gentle inroads into the look of the funny books by then, but this ad was something a bit different.
It promoted 'We're Only In It For The Money', the (then brand new) third album by Frank Zappa's Mothers Of Invention, an LP every bit as innovative and mind-bending as their previous two, experimenting with familiar rock idioms in combination with avant-garde sound collage and large doses of social satire.
That alone is noteworthy, as despite the 'wholesome' tone of the ad's copy, this was clearly not squeaky-clean teen pop combo music like you'd have heard on your top ten AM radio or seen on TV's 'Hullabaloo' or 'American Bandstand' back in the day.
Hell, it still isn't.
But without providing any details, the ad also entices the reader to clip the coupon and send a letter off to 'United Mutations'.
United Mutations was the name of the Mothers of Invention's fan club, which Frank Zappa started in '67 as a way to respond to the often unusual fan mail the band received.
It's easy to assume that the average curious and presumably innocent young comic book reader would probably not have known this, however, just as it's easy to assume that they likewise would perhaps have had little familiarity with Zappa and The Mothers.
- So the question arises, had you cut the United Mutations coupon out of your comic and sent it in, what would you have received?
According to Chris Federico's Zappology site, you'd have received a 'thank you' form letter that included an application questionnaire for joining the club.
The text of that first letter read:
"We could have sent you a cheesy form letter, all 'The Mothers of Invention want to thank you blah blah for writing such a nifty letter blah and they love their fans who are so loyal and thoughtful blah and blah. But they are so busybusybusybusy that it would be virtually impossible for them to even begin to attempt to consider the possibility of any sort of warm personal reply, blah, blah, blaaahhh.'
"We could have sent you that sort of cheesy letter; instead, we have sent you this cheesy letter, the text of which reads: 'Dearest Wonderful and Perceptive Person: The Mothers of Invention want to thank you blah blah for writing us such a nifty letter, some of which you have written to us on toilet paper -- how wonderfully original. Golly gee, we are so awful busy being thrown out of restaurants and hotels in Montreal, ignored by taxis in New York -- have you had that trouble too? It's getting so you don't even have to be black to not be picked up -- mugged by policemen in Los Angeles and scrutinized by the censors of all major U.S. media. Willikins! It takes so much time to do all that crap, we hardly have any time to answer each of you in a warm, personal way. 'So: If you are a worried girl and you wrote to us because we turn you on and you want our bodies and/or you think we are cute, here is your own personal section of the letter: The answer to any and all questions is, yes, we love you even if you are fat, with pimples. 'If you are, or are considering the possibility of becoming, a boy, and you think you are very hep and swinging, and you wrote to us on a piece of toilet paper, this section is for you: Keep up the good work. We would like to encourage you to become even more nihilistic and destructive. Attaboy. Don't take any gas from your metal shop teacher or that creep with the flat-top in physical education who wants to bust your head because you are different. Give them all the finger, just like we would give you the finger for writing to us on a piece of toilet paper.'
"Would you be interested in joining what's called a fan club for the Mothers? The official name of the organization is United Mutations. We call it that because we are certain that only a few special people might be interested in active participation.
"It will cost you three dollars and you must fill in the accompanying questionnaire: Name, age, sex, height, weight, address, state, zip, father's name, profession, mother's name, profession. Answer these questions briefly: Who is God? ESP: Yes? No? Describe. Best way to describe my social environment is: If I had my way I would change it to: How will you change your social environment? When? What are you afraid of? What sort of help can the Mothers give you? On another sheet of paper, describe your favorite dream or nightmare in clinical detail. Send both sheets with three dollars to the address above, and in return, we will send you useful information about the Mothers and a small package with some other things you might be interested in.
"Thank you. Your signature in ink, please."
- According to the Zappa Wiki Jawaka , sending in the $3 would get you a club membership kit that included photos and biographies of the Mothers Of Invention band members, a membership card, copies of the U.S. Constitution and Bill of Rights, and a second form letter / questionnaire.
The text of the follow-up letter read:
"Hello. Thank you for responding to our initial proposal. It is necessary to know a few more things about you. We hope you won't mind answering another form letter; our files require it for continued membership.
"If you are interested in this worthwhile program of, let's call it self-help, please be advised that our work can be continued only if your membership is kept paid yearly and we have periodic reports of your activities within the context of our program. You will be notified by mail for your next membership report.
"For now, please fill in this form and return it to us, and read the enclosed material carefully. We are happy you took an interest in us.
"Answer these questions briefly. Please enclose a small photo of yourself. Are you a mutation? What can you do to help us? People's minds: How many do you control? Why not more? How do you control your subjects? Do they know? Do other people know? How do you avoid problems? Do you group-think? Is there another operator near you? Who? Does he/she belong to our association? If no, why not? Describe your relationship with your parents. How can the Mothers assist you?
"Your signature in ink, please. Date."
The Zappology site cites a mid-1967 interview with Zappa, conducted by Frank Kofsky, in which Zappa talked about the fan letters, the club, and the questionnaires, and about trying to offer people something that makes it okay be strange.
That Zappa and the Verve Record label succeeded in placing an ad for The Mothers of Invention in mainstream comic books is funny and odd, and seems of another era.
That the ad could have also sought to target and 'recruit' teenagers who may have felt like outsiders, and offer them the notion that they belong is also funny and odd, as well as gently subversive and pretty wonderful.
- - And it all fits in nicely with underlying themes present in the lyrics of those first three Mothers albums, too. Willikins!
I'm still very curious about that advertisement, though. How exactly did it come about? There weren't too many recording artist ads in comics at that time...
I'm wondering if the ad's layout may have been designed by Cal Schenkel, who signed on with Zappa right around this same time, executing the memorable 'Sgt. Pepper' cover parody for 'We're Only In It For The Money'. (Yep! See update below) It also looks just collage-y enough to have perhaps been done by FZ himself.
I'm sure we'd all love to hear from someone out there who knows about these things. I'd also like to hear from anyone who did respond to this ad back then, or who was an early member of United Mutations. (Yay! Another update, see below)
I hadn't seen this old ad in a long while. Thanks are due to artist J.R. Williams, who posted a scan of it in one of his Flickr galleries and got me to thinking about it. (Follow link for more on Mr. Williams)
UPDATE 1.13.09 - - (Continued from above) I had a nice little e-mail exchange with graphic artist Wayno, who was kind enough to get in touch with Mr. Schenkel regarding that Mothers ad in this post. Cal responded, "Yep, I dood it!". Great to have that verification, many thanks!
Schenkel provided many album cover designs and other artwork for Zappa over the years, and remains the primary artist associated with Frank's visual style.
For more about Cal Schenkel ▶ and his credits, see also: - The Wikipedia entry, and the Zappa Wiki Jawaka entry.
- Cal's website, www.ralf.com/, where he has artwork for sale.
- Below ▼, a video link to 'Dental Hygiene Dilemma', an animated sequence from the 1971 Zappa & The Mothers film '200 Motels', based upon designs by Schenkel.
- ANOTHER UPDATE, 7.15.09:
(Click on image to ENLARGE) ▶
BIG thanks to Nick for sending in a scan of a precious artifact; His copy of that introductory 'United Mutations' form letter, with a note signed by Pauline Butcher, Frank's personal secretary from '68 to '72, who ran the fan club at the time.
Nick said: "I started getting into Frank Zappa in the 60's, and not long after I sent a letter to U.M. asking about pictures of the band. They sent me the first letter. I still have it, not filled out, in the envelope it came in, with a hand written note from Pauline on it. Maybe brown shoes don't make but this letter does."
Cartoonist Charles Addams was 20 years old in 1932, when his work first appeared in the pages of The New Yorker.
His macabre cartoons were still running there on a regular basis when this article appeared in the September 13th, 1976 issue of People Magazine, and did so up until his death in 1988 - - and beyond.
(click on page scans to enlarge in a new window)
Consider this article a companion to the previously-posted 'Charles Addams: Master of the Macabre', an earlier magazine 'profile' from 1953 that appeared her almost a year ago.
Follow link to that piece for further background links, photos and more info about the three wives of Charles Addams.
See also: Several great vintage Addams cartoons are on display over at Hairy Green Eyeball.
'Afro-Exotica' percussionist/vocalist Chaino (pronounced “Cha-EE-no”) was born Leon Johnson in Chicago, Illinois in 1927.
As a bongo-playing nightclub performer in the 1950s, he encountered record producer Kirby Allan, who sought to make records capturing the feel of traditional African rhythms he'd heard while visiting Kenya.
That would always remain my personal association with his name and his artwork, though over the years I'd discover that it had been just one publication among several to print his cartoons on a regular basis.
Rodrigues was born on September 9th, 1926, was of Portuguese heritage, and lived most of his life in rural Massachusetts.
After his service with the Navy in WWII, he married and raised a family.
His long affiliation with the magazine Stereo Review (now called 'Sound & Vision') began with its first issue in February of 1958 (when it was called 'Hi-Fi and Music Review', later 'HiFi Review' and then 'HiFi/Stereo Review', until 1968 when the name settled to 'Stereo Review').
His cartoons for that magazine were geared for audiophiles, and the humor would often (but not always) depend on a reader's knowledge of audio equipment.
Rodrigues remained a regular contributor there for decades, and drew similarly-themed Ham and CB Radio-centric cartoons for 'Electronics Illustrated' magazine in the '60s and '70s.
In addition to the Lampoon and occasional appearances in Playboy and magazines like Look (see below) and others, his gag cartoons also ran regularly in Cracked Magazine for many years.
He was also a syndicated newspaper cartoonist, with two long-running strips; 'Charlie' (described as being like a gloomier 'Ziggy') and 'Casey The Cop' ▼.
The tone of his cartoons (if not the artistic style) was often similar in dark temperament to cartoonists like Charles Addams or Virgil Partch or his contemporary, Gahan Wilson.
Though the work of Rodrigues was seldom overtly macabre, certainly within the pages of National Lampoon he more than adequately portrayed 'taboo' subjects with regularity, to the point that in my own case it was almost more shocking (having first associated him with NatLamp) to discover how relatively tame and genteel his cartoons could be that appeared elsewhere.
"Charles Rodrigues was a devout Catholic who despised humor of a blasphemous or sexual nature yet thought nothing of submiting thick, fuzzy cartoons that made humor out of the handicapped, epileptics and dwarfs as they tried to use the toilet or perform other everyday activities."
Collected here are a few Rodrigues illustrations from an old paperback, 'Strictly Personal' - - A "hilarious" collection of (supposedly authentic) newspaper 'personals column' ads.
The book was first published in 1964, and its tendency towards the mildly risqué fit right in with many of the slightly racy humor and cartoon paperbacks printed at the time by Fawcett's Gold Medal Books.
(click on images to ENLARGE in a new window)
(click on images to ENLARGE in a new window)
Below, ▼ two one-panel Rodrigues cartoons that appeared in Look Magazine in 1968.
- - Finally, a bit of tangential info with regard to the 'Strictly Personal' book.
The 'compiler/editor' was Leo Guild, a name that may be familiar to readers of trash fiction and old 'tell-all' celebrity biographies of questionable authenticity.
Guild had been a publicist for Warner Bros. beginning in the 1940s, had a long-running column in The Hollywood Reporter, wrote Radio and TV scripts, and was occasionally credited as a Hollywood Producer.
Some time in the late '40s he began authoring books, mostly pulp fiction, but also celebrity biographies, gambling guides, 'bachelor' joke books and others, well into the 1970s.
He received perhaps his best credits for the bio 'Zanuck: Hollywood's Last Tycoon', while his work 'The Fatty Arbuckle Case' is viewed as being largely embellished fiction.
A few other titles by Leo Guild - -
-Ecstasy and Me: My Life as a Woman (by Hedy Lamarr and Leo Guild)
- Hollywood Screwballs
- Confidential Sex Survey
- What Are The Odds (follow link for a review at Your Neighborhood Librarian)
- Cons and Lovers
- Mistress of Cuba (as Rita Benuto)
- The Girl Who Loved Black: White Girls Who Love Black Pimps, the True Story of One Who Did
- Street of Ho's
- Black Bait: the True Story of Lila, a Foxy, Fast Race Track Swinger
- Black Streets of Oakland
- The Senator's Whore
- I Was Kidnapped by Idi Amin
Leo Guild's masterpiece (or his 'Plan 9', if you will) would appear to be his 1972 novel 'The Werewolf Vs. the Vampire Woman', described as "...the most craptastically awful book ever written".
A 2007 article in Seattle's The Stranger supplied an overview of Guild's career, and a description of this novel.
Author Paul Collins followed this piece with some further elaboration at his Weekend Stubble blog. - Click over to 'King Hack'.
- As if that weren't sufficient, you can read a further review of 'The Werewolf Vs. the Vampire Woman' over at The Groovy Age of Horror.
Leo Guild and Charles Rodrigues' book 'Strictly Personal' was released early in 1964. When the Fall TV season began that year, Leo Guild received writer's credit for the new CBS sitcom 'My Living Doll', though essentially all he'd provided was the idea.
The program starred Bob Cummings as a psychologist given the task of caring for Rhoda, a robot fashioned to look like a real human female, played by Julie Newmar.
The series was basically a variation on the formula CBS had used the year before with their show 'My Favorite Martian', though capable of employing saucier situations than might be attainable with Ray Walston.
- Follow link to one of several video clips available at YouTube.
'My Living Doll' lasted only one season, though it did leave us with the phrase 'Does not compute'.
The following year, NBC countered with 'I Dream of Jeannie'.
A lifetime of movies, cartoons, records, comics, bad teevee and lots of other ephemera 'n' junk has left me happily unfit for a normal life in the real world. - - And so here I am. Good to see you're here also! Welcome!
Sound files and other material you may encounter here are only made available for a limited time (as are we all), are assumed to be out of print or otherwise not readily available in these parts, and are meant for educational and entertainment purposes only - - Y'know, for FUN - - and NOT with any intent towards profit or copyright violation. However, I'm ready and eager to immediately remove any potentially infringing posting if it will avoid a hassle or hurt feelings. Please e-mail me if you feel your toes are being stepped on, and I'll happily rectify the situation.
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